Scholarly writing is a conversation with other academics. These conversations happen in formal venues such as academic journals and books, in less formal settings such as academic conferences and colloquia and in informal ways through the sharing of works in progress with colleagues. To be fully engaged with the conversation, it is crucial for academics to participate in all three of these sorts of exchanges.
In Print: Formal Conversations
If you are an academic with a faculty position that requires research productivity, I don’t have to tell you that you need to publish. This would have been made clear to you when you were hired, and you should have some sense of the requirements of your institution. There are all sorts of subtleties with regard to where and how much you need to publish, but you know you need to do it, somehow and somewhere.
Conferencing: Semi-Formal Conversations
You probably also know that you need to participate in conferences. Even if you find the idea of presenting your work at conferences terrifying or if you find academic conferences absolutely unbearable, you still have to do it, at least until you get tenure. Participating in conferences is crucial for attaining visibility in your field, learning about the latest trends in research, and getting feedback on your work in progress. It is very important to figure out what conferences you should attend and to make every effort to participate in them.
Sharing Work in Progress: Informal Conversations
Most new and aspiring academics know about the importance of conference participation and academic publishing, because they are visible aspects of faculty life: people put conference presentations and academic papers on their CVs. What is less visible, yet equally important, is sharing your work in informal ways with trusted colleagues. I would recommend never sending out an article or book chapter for publication without first obtaining feedback from someone you know and trust, and preferably from several people.
Getting feedback in informal ways is important because it allows you to share your work in a less polished form. If you don’t feel as if you are completely done with something, you will be more open to feedback and more willing to change your arguments and ideas on the basis of your reviewers’ suggestions.
In many cases, sharing your work can boost your confidence. We are often our own worst critics, and it can be a real pleasure to hear our colleagues point out how important and well-executed our work is. When you request informal feedback, you can expect honest advice on how to improve your work and finalize it for submission. Often, this will give you the final push you need to send your manuscript out for formal review.
Sharing your work is also important because it can save you lots of time in the peer review process. On average, peer reviews take about six months. You often can get a friend or colleague to read a paper for you and provide feedback in less than one month. (It is always important to agree on a time frame when you give a paper to a colleague for review to ensure that the process is in fact efficient.)
How to Get Feedback: Starting the Conversation
When I was in graduate school, I had no problem getting feedback on my work. Every seminar paper I handed in came back with comments; I could ask my advisor or other members of my committee for comments; and I also had my fellow graduate students on hand to ask for feedback. When I became a faculty member, it quickly became apparent to me that I needed to broaden my networks to continue to get useful feedback. There are several ways to do this.
Tit for Tat: Exchange work with a colleague
One of the best ways to get feedback from a colleague is to offer to exchange work. If both of you are at a similar stage, you can agree to meet somewhere for a morning, during which time you read each other’s drafts in one another’s presence and provide feedback that same morning. That sort of instantaneous feedback is unbeatable in terms of efficiency.
If you can’t find a friend who is at an identical stage as you, you also can ask someone to read something, with the promise that you will return the favor in the future. Many academics have close friends and colleagues with whom they have a permanent exchange relationship: they always read each other’s work at various stages of progress. The advantage to the exchange relationship is that you don’t feel as if you are posing a burden, as you know you will be returning the favor soon.
Form a Writing Group and Build Community in the Process
Another strategy is to form a writing group with colleagues who live near you. You can agree that, over the course of the semester, you will meet four times, and at each meeting, you will discuss one work in progress. This is not always the most efficient way to get feedback, but it is valuable for several reasons. First of all, the dynamics of group feedback are different from individual feedback, and you will get more in-depth and complex feedback than if you just have one reader. For this reason, this sort of group exchange is often best for work in an earlier stage of progress. Secondly, this sort of writing group helps to build community; building community is important for your mental well-being. Finally, it is good for you to know what others at your institution are up to, and it is important for them to have a good idea what you are working on. That way, if a speaker is invited to campus or if there is an initiative related to your work, you will be sure to be involved.
Everyone Does It!
Sharing your published work as well as your work in progress is crucial for any academic. If you need proof of how common this is, I suggest you open up any academic book or article and take a look at the long list of acknowledgements. Most books go on for two or three paragraphs in which the author thanks all of the people that have provided feedback during the writing progress. Most articles list a half a dozen people who have reviewed the work informally.
Whatever strategy you use, it is crucial for you to figure out a way to share your work informally with trusted friends and colleagues before going through the formal review process. It will make your work better, give you confidence in your writing, and save you time in the long run.
Wednesday, November 10, 2010
Friday, November 5, 2010
Change Your Writing Location and Spark Creativity
Although few academics think of it this way, writing is a creative process. When you write, you pull words together to make a point or argument, to describe a scenario or a person, to analyze data, or to introduce a phenomenon. Doing this well requires creativity and ingenuity.
Once you think of writing as a creative process, it becomes evident that it takes creative energy and that it requires stimulation and inspiration. This does not mean, of course, that you must wait to be inspired to write. With packed schedules and long to-do lists, inspiration rarely strikes on its own. The good news is that you can train your mind to be more creative on demand, and that there are a few tricks you can use to spark creativity.
The trick I am going to focus on in this blog post is very simple: change location. Many writers dream of having the perfect writing spot. For me, this would be a large, sparsely decorated room with hardwood floors, high ceilings, a sturdy cherry writing desk, and most importantly, an enormous window with a view of the sea. Unfortunately, I have no such luxury. Instead, I do much of my writing on my couch, in my cluttered office, and at various coffee shops around town. And, even if I did have an amazing office, it still would be important to try writing in other spaces. The reason is that a change in location sparks creativity.
If you have a favorite writing location that works for you, that is fabulous. However, if you ever find yourself stuck with your writing, it can be a good idea to try a new location, even if it is just for a day. For example, I have a friend who works in her lovely home office most days, but once a week she meets with friends at a local coffee shop where they write together for two hours. For her, injecting a bit of variety in her writing routine provides just enough stimulation to keep going and to continue to be creative and productive.
I have another friend who resolved to write in her office on campus every morning. This strategy worked out well for the first few weeks of the semester. However, as the semester wore on, and fatigue began to set in, she found it more and more difficult to get her creative engines running, and easier to be distracted by all the tasks (and people) that called her attention in her office. She decided to change location, and to try writing at the campus library. This simple strategy of changing location worked wonders for her.
My own strategy is to write at home on my couch for as long as I can each morning. As I do not have Internet access at home, this is a fabulous tactic for me. However, inevitably, as I am at home, my mind wanders and the disorganization in my living room shouts for my attention. As soon as I sense my mind wandering, I pack up my laptop and head out for a coffee shop. That change in location seems to work well. Once I am in a new space, I am able to concentrate again.
There are many possible ways of implementing the idea of changing location. For those of you who have a stable writing location that works, it might be a good idea to meet with friends at a coffee shop once a week to write together. For those of you who are not getting the writing done in your office that you would hope to get done, it might work for you to try a new location: the campus library, a coffee shop, the public library, your home office, or even a friend’s house. For some people, it will work better to change locations every day. For others, adding a little variety into your regular routine is the trick.
The reason changing location works is that, as you are writing, you are – consciously or unconsciously – taking in all that surrounds you. This background noise or scenery will have an impact on how your brain works. If your environment is nurturing and inspiring, that is great and will work to your advantage. Nevertheless, if it is the exact same environment every single day, you might be missing out on an opportunity for creative inspiration by putting yourself in another space. On the other end of things, if you are writing in a less than ideal space – such as your cluttered office or your unkempt living room – you might be limiting your creativity by allowing your mind to focus on all of the things that demand your attention. In that case, you might be surprised how a simple change in location – one with fewer distractions - leads you to new places in your writing.
If you do decide to change it up, let me know how it goes! Either way, best of luck with your writing this week.
Once you think of writing as a creative process, it becomes evident that it takes creative energy and that it requires stimulation and inspiration. This does not mean, of course, that you must wait to be inspired to write. With packed schedules and long to-do lists, inspiration rarely strikes on its own. The good news is that you can train your mind to be more creative on demand, and that there are a few tricks you can use to spark creativity.
The trick I am going to focus on in this blog post is very simple: change location. Many writers dream of having the perfect writing spot. For me, this would be a large, sparsely decorated room with hardwood floors, high ceilings, a sturdy cherry writing desk, and most importantly, an enormous window with a view of the sea. Unfortunately, I have no such luxury. Instead, I do much of my writing on my couch, in my cluttered office, and at various coffee shops around town. And, even if I did have an amazing office, it still would be important to try writing in other spaces. The reason is that a change in location sparks creativity.
If you have a favorite writing location that works for you, that is fabulous. However, if you ever find yourself stuck with your writing, it can be a good idea to try a new location, even if it is just for a day. For example, I have a friend who works in her lovely home office most days, but once a week she meets with friends at a local coffee shop where they write together for two hours. For her, injecting a bit of variety in her writing routine provides just enough stimulation to keep going and to continue to be creative and productive.
I have another friend who resolved to write in her office on campus every morning. This strategy worked out well for the first few weeks of the semester. However, as the semester wore on, and fatigue began to set in, she found it more and more difficult to get her creative engines running, and easier to be distracted by all the tasks (and people) that called her attention in her office. She decided to change location, and to try writing at the campus library. This simple strategy of changing location worked wonders for her.
My own strategy is to write at home on my couch for as long as I can each morning. As I do not have Internet access at home, this is a fabulous tactic for me. However, inevitably, as I am at home, my mind wanders and the disorganization in my living room shouts for my attention. As soon as I sense my mind wandering, I pack up my laptop and head out for a coffee shop. That change in location seems to work well. Once I am in a new space, I am able to concentrate again.
There are many possible ways of implementing the idea of changing location. For those of you who have a stable writing location that works, it might be a good idea to meet with friends at a coffee shop once a week to write together. For those of you who are not getting the writing done in your office that you would hope to get done, it might work for you to try a new location: the campus library, a coffee shop, the public library, your home office, or even a friend’s house. For some people, it will work better to change locations every day. For others, adding a little variety into your regular routine is the trick.
The reason changing location works is that, as you are writing, you are – consciously or unconsciously – taking in all that surrounds you. This background noise or scenery will have an impact on how your brain works. If your environment is nurturing and inspiring, that is great and will work to your advantage. Nevertheless, if it is the exact same environment every single day, you might be missing out on an opportunity for creative inspiration by putting yourself in another space. On the other end of things, if you are writing in a less than ideal space – such as your cluttered office or your unkempt living room – you might be limiting your creativity by allowing your mind to focus on all of the things that demand your attention. In that case, you might be surprised how a simple change in location – one with fewer distractions - leads you to new places in your writing.
If you do decide to change it up, let me know how it goes! Either way, best of luck with your writing this week.
Thursday, October 28, 2010
The Importance of Planning: Taking Charge of Your Writing Success and of Your Career
While I was writing my dissertation and during my first year as an Assistant Professor, I got my writing tasks accomplished. However, there was no method to the madness. I felt as if I was traveling down a river in a raft, keeping afloat, but not really in control of my progress or my direction.
I had heard about writing and accountability groups, but did not think those were for me. I finished my dissertation in a timely manner and, and had an article accepted my first year on the tenure track. I figured I was doing just fine, so long as I could keep up the pace.
The winter of my second year on the tenure-track, however, I found myself feeling a bit isolated and not very motivated. It was the first winter where my husband and I hadn’t taken a vacation to somewhere sunny since we met, and that wasn’t sitting well with me. One day, working in my gloomy office, I got an email from Kerry Ann Rockquemore inviting me to join an online writing group. I decided to give it a shot.
In the online writing group, each person states their goals for the month and reports their progress daily on the forum. It was eye-opening for me to sit down and map out what I wanted to do over the next month. I told the group I was working on my book proposal, and that I hoped to finish the proposal and one of the sample chapters by the time winter break ended.
Slowly, I learned to set reasonable goals for the month, the semester, and for the pre-tenure years. I enjoyed the support and community of the electronic forum, and found that my relationship with my work slowly was beginning to change.
Once I began to write every day, report my progress to the writing group, and keep track of my writing goals, I began to feel as if I was in the driver’s seat. Achieving tenure became something I consciously was working towards, instead of something I simply hoped I would be able to achieve.
By keeping track of my progress each day, week, month, and semester, I learned how much I could expect of myself. Logging in each day kept me conscious of how much time I was actually spending writing, and how much time I spent doing other things. Slowly, I began to realize that writing should be my priority, and that I could and should do it every day. It was a real revelation to me that I could write on my teaching days, and that writing at least an hour every day kept me connected to my projects.
Setting new goals for each month allowed me to approach each new month with a fresh attitude. I slowly learned to develop reasonable expectations for what I could accomplish in a month, and felt a sense of deep satisfaction each time I met my goals for the month.
At the end of the semester, I could look back over the semester and see how much I had accomplished. Taking the time to tally up my accomplishments each day, week, month, and semester allowed me to stop and reflect on what I had done, and to feel better about where I was going and how I was going to get there.
Keeping track of my progress allows me to set and achieve reasonable goals. Once you know how much you can produce in one semester, and once you become familiar with the average timeline for publication, you can develop reasonable expectations about what you can accomplish during an academic year or, if you are on the tenure track, within the time you have left before going up for tenure.
Now that I know my rhythm, my pace, and my average productivity, I can set reasonable goals for myself for each semester, each year, and over the course of the next five years. I can look at that plan and see that achieving those goals will fulfill the research requirements of my tenure case.
Planning for academic success takes out a lot of the uncertainty, worry and self-doubt that plague many academics. It allows you to be in the driver’s seat, and to be in charge of your productivity and of your career. Keeping track of what you can accomplish in a day, a week, a month, a semester, or a year allows for you to plan in the short and long term.
I find that planning for success takes out a lot of the anxiety over success. I know what I can expect of myself and what standards I can hold myself to. In my case, it turns out that those standards are in line with what my university expects of me.
What about you? How much can you expect of yourself? For those of you on the tenure track, how do your own standards for productivity line up with those of your university?
I had heard about writing and accountability groups, but did not think those were for me. I finished my dissertation in a timely manner and, and had an article accepted my first year on the tenure track. I figured I was doing just fine, so long as I could keep up the pace.
The winter of my second year on the tenure-track, however, I found myself feeling a bit isolated and not very motivated. It was the first winter where my husband and I hadn’t taken a vacation to somewhere sunny since we met, and that wasn’t sitting well with me. One day, working in my gloomy office, I got an email from Kerry Ann Rockquemore inviting me to join an online writing group. I decided to give it a shot.
In the online writing group, each person states their goals for the month and reports their progress daily on the forum. It was eye-opening for me to sit down and map out what I wanted to do over the next month. I told the group I was working on my book proposal, and that I hoped to finish the proposal and one of the sample chapters by the time winter break ended.
Slowly, I learned to set reasonable goals for the month, the semester, and for the pre-tenure years. I enjoyed the support and community of the electronic forum, and found that my relationship with my work slowly was beginning to change.
Once I began to write every day, report my progress to the writing group, and keep track of my writing goals, I began to feel as if I was in the driver’s seat. Achieving tenure became something I consciously was working towards, instead of something I simply hoped I would be able to achieve.
By keeping track of my progress each day, week, month, and semester, I learned how much I could expect of myself. Logging in each day kept me conscious of how much time I was actually spending writing, and how much time I spent doing other things. Slowly, I began to realize that writing should be my priority, and that I could and should do it every day. It was a real revelation to me that I could write on my teaching days, and that writing at least an hour every day kept me connected to my projects.
Setting new goals for each month allowed me to approach each new month with a fresh attitude. I slowly learned to develop reasonable expectations for what I could accomplish in a month, and felt a sense of deep satisfaction each time I met my goals for the month.
At the end of the semester, I could look back over the semester and see how much I had accomplished. Taking the time to tally up my accomplishments each day, week, month, and semester allowed me to stop and reflect on what I had done, and to feel better about where I was going and how I was going to get there.
Keeping track of my progress allows me to set and achieve reasonable goals. Once you know how much you can produce in one semester, and once you become familiar with the average timeline for publication, you can develop reasonable expectations about what you can accomplish during an academic year or, if you are on the tenure track, within the time you have left before going up for tenure.
Now that I know my rhythm, my pace, and my average productivity, I can set reasonable goals for myself for each semester, each year, and over the course of the next five years. I can look at that plan and see that achieving those goals will fulfill the research requirements of my tenure case.
Planning for academic success takes out a lot of the uncertainty, worry and self-doubt that plague many academics. It allows you to be in the driver’s seat, and to be in charge of your productivity and of your career. Keeping track of what you can accomplish in a day, a week, a month, a semester, or a year allows for you to plan in the short and long term.
I find that planning for success takes out a lot of the anxiety over success. I know what I can expect of myself and what standards I can hold myself to. In my case, it turns out that those standards are in line with what my university expects of me.
What about you? How much can you expect of yourself? For those of you on the tenure track, how do your own standards for productivity line up with those of your university?
Friday, October 22, 2010
When Is Your Prime Time?
For me, mornings are a very special time. At the crack of dawn, before my family wakes up, and a little later, right after everyone leaves the house are the two best times for me to write. Mornings are special because they only happen once a day, and they are the times I can be most productive. It took me a while to figure this out for myself, but now that I am certain of when my prime time is, I do whatever I can to ensure that I write each morning.
If I miss out on writing early in the morning, it is very likely that I will not get any writing done that day. In addition, since I know how productive I can be in just 30 to 60 minutes early in the morning, I feel as if it is a waste to use that time any other way. Why spend my most precious moments of the day running errands, responding to emails, shopping online, or filling out university-mandated forms when I can spend them writing? For me, the morning is prime time, and that is when I write.
Once I have done my writing for the day, even if it is a busy day and I can only get in 30 minutes, I can face the remainder of the day knowing that I have started off using my time wisely. I have already made progress on that which is most important to my long-term success: I have written.
Everyone has their prime time, and it likely occurs at roughly the same time every day. Do you know when your prime time is? If you don’t, ask yourself the following questions: When you are most alert? When is your mind the clearest? When do you find it easiest to focus on one task? If you still don’t know, the best way to find out is to try. Spend every day next week, Monday to Friday, trying to write as soon as you get up. If it doesn’t work, try a different time.
Those who have families may find it difficult to write first thing in the morning. Some people are able to wake up very early and write for 30 to 60 minutes before the rest of the family wakes up. Others spend their mornings getting everyone else out of the house and then get their writing done once everyone leaves. Others have to drop kids off at daycare and school, and seek refuge in a coffee shop after dropping everyone off. Still others make sure that writing is the first thing they do when they arrive in their office.
Some people are not at their best in the mornings, but feel particularly energized after an afternoon workout. Physical activity is a great way to cleanse the mind. I knew of one woman who had to teach early in the morning, making it difficult to write first thing in the morning. So, she wrote in the afternoons. After teaching her two classes, she went straight to the university pool, where she swam for 45 minutes. After swimming, her mind was clear and fresh, and she was able to sit down and write for two hours. One great thing about this strategy is that she knew she would write after swimming, so her time in the water was also time she could prepare mentally for her writing session.
There are some people who truly are night owls and can write late in the evening after everyone in their family has gone to bed. Honestly, I know many people who tell me this is the best time for them to write, but who find it difficult to make it happen every day. However, I think it can work for some folks. The trick is to find ways to make it happen. If your prime time is late at night, an evening walk, workout, cup of hot tea, or yoga session might be a useful pre-writing routine. It is also probably a good idea to have a light dinner and to figure out a way to make lunch your main meal of the day as a large meal may make you sleepy and less productive. If you plan to write at night, it is best to avoid the after-work happy hour, although I do know a woman who writes at night with a glass of red wine on her desk. If you do write in the evenings, allow yourself time after writing to relax and clear your mind before going to sleep.
One of the keys to writing every day is to figure out when your prime time is. Once you know when the best time for you to write is, and you make it a habit to write every day at that time, you will begin to see that time as non-negotiable. If you only have a prime time of 60 minutes each day, why spend it on anything other than the most important task of your day?
If I miss out on writing early in the morning, it is very likely that I will not get any writing done that day. In addition, since I know how productive I can be in just 30 to 60 minutes early in the morning, I feel as if it is a waste to use that time any other way. Why spend my most precious moments of the day running errands, responding to emails, shopping online, or filling out university-mandated forms when I can spend them writing? For me, the morning is prime time, and that is when I write.
Once I have done my writing for the day, even if it is a busy day and I can only get in 30 minutes, I can face the remainder of the day knowing that I have started off using my time wisely. I have already made progress on that which is most important to my long-term success: I have written.
Everyone has their prime time, and it likely occurs at roughly the same time every day. Do you know when your prime time is? If you don’t, ask yourself the following questions: When you are most alert? When is your mind the clearest? When do you find it easiest to focus on one task? If you still don’t know, the best way to find out is to try. Spend every day next week, Monday to Friday, trying to write as soon as you get up. If it doesn’t work, try a different time.
Those who have families may find it difficult to write first thing in the morning. Some people are able to wake up very early and write for 30 to 60 minutes before the rest of the family wakes up. Others spend their mornings getting everyone else out of the house and then get their writing done once everyone leaves. Others have to drop kids off at daycare and school, and seek refuge in a coffee shop after dropping everyone off. Still others make sure that writing is the first thing they do when they arrive in their office.
Some people are not at their best in the mornings, but feel particularly energized after an afternoon workout. Physical activity is a great way to cleanse the mind. I knew of one woman who had to teach early in the morning, making it difficult to write first thing in the morning. So, she wrote in the afternoons. After teaching her two classes, she went straight to the university pool, where she swam for 45 minutes. After swimming, her mind was clear and fresh, and she was able to sit down and write for two hours. One great thing about this strategy is that she knew she would write after swimming, so her time in the water was also time she could prepare mentally for her writing session.
There are some people who truly are night owls and can write late in the evening after everyone in their family has gone to bed. Honestly, I know many people who tell me this is the best time for them to write, but who find it difficult to make it happen every day. However, I think it can work for some folks. The trick is to find ways to make it happen. If your prime time is late at night, an evening walk, workout, cup of hot tea, or yoga session might be a useful pre-writing routine. It is also probably a good idea to have a light dinner and to figure out a way to make lunch your main meal of the day as a large meal may make you sleepy and less productive. If you plan to write at night, it is best to avoid the after-work happy hour, although I do know a woman who writes at night with a glass of red wine on her desk. If you do write in the evenings, allow yourself time after writing to relax and clear your mind before going to sleep.
One of the keys to writing every day is to figure out when your prime time is. Once you know when the best time for you to write is, and you make it a habit to write every day at that time, you will begin to see that time as non-negotiable. If you only have a prime time of 60 minutes each day, why spend it on anything other than the most important task of your day?
Wednesday, October 13, 2010
Not All Writing is Created Equal
I talk to people about their writing a lot. Every so often I meet someone who has been on a roll with writing, but finds themselves stuck in a rut where they can no longer move forward. After talking about their project, it often becomes clear that they are having trouble moving forward because they are at a new stage of writing.
For example, “Karla” recently told me that she was having trouble finding the time for writing over the past week. I found this unusual because the last time we talked, she was excited about her project and its long-term possibilities. After talking for a bit, it became clear that Karla was no longer at the stage of brainstorming and creating new ideas, but that she was now at the stage where she had to pull everything together and massage her outstanding work into a coherent, scholarly, whole. It turned out that not only did Karla find this kind of work less exciting, but also that getting near to the end of the project made her nervous about going public with her ideas.
There are different stages to the writing process, and we draw from different sorts of energies to complete each stage. Most of us excel at one stage, but do less well at others. It can be helpful to reflect on the various stages of writing and to become aware of which stages you like best. Here are the stages, as I see them:
Stage 1: Conception – This is when you are coming up with ideas and writing the first rough draft. The best way to get through this stage is to not be inhibited by perfectionism and not worry about grammar, coherency, or format, but to just get your ideas onto paper. When you are at this stage, it is best to do this first thing in the morning when your ideas are fresh and you are ready to forge ahead. Although this is the most exciting stage for many, it also is the stage when we are most unsure of where we are going, and thus can be subject to feelings of self-doubt about the worth of our work. If you are stuck at this stage, one strategy is to put a pillow-case over your computer screen and just type away for fifteen to thirty minutes. Not being able to see your writing will help you to feel less threatened by the blank screen and less inclined to go back and correct errors.
Stage 2: Pulling together – This is when you re-organize your free-writes, brainstorms, previous work, and literature summaries into a coherent first draft. Some people do this on the screen; others cut and paste using real scissors and paper. Whatever you do, it is important to think about how you think and organize best and develop a system that allows you to create a coherent first draft. At this stage, you might find yourself staring at documents on and off-screen and struggling to decide on the best format. Despair not: If you are working on this every day, those ideas are percolating in your head, and you soon will come up with a workable format. If you are feeling stuck, try printing out your documents and using a creative, visual format of re-organizing your ideas such as cutting and pasting pieces of colored paper onto a corkboard.
Stage 3: Revision – This is when you have a complete first draft and are ready to make it better. It can be very helpful to give this first draft to a trusted colleague, telling them that this is your first shot at the paper, and that you are looking for constructive feedback on organization and suggestions for expanding the background and theoretical literature. Some people do revisions by hand by printing out each version. Others are comfortable doing edits on screen. When I am in the revision stage, I like to carry a copy around with me, so that I can squeeze in edits whenever I have time. If you are stuck at this stage, the best solution can be to find someone to read and give you positive feedback to help you move forward.
Stage 4: Copy-editing and References – At this stage, you have a complete, revised draft with your conceptual framework, literature review data, analysis, introduction, and conclusion, all in order. You just need to dot the i’s, cross the t’s, check your citations and run your spell-check. If you are stuck at this stage, hiring a professional editor can be a fabulous investment.
Stage 5: Submit – You are finished, and just need to figure out the online or mail-in process to submit your work! If you are stuck at this stage, it could be helpful to talk to friends who have read your work, know how fabulous it is, and can encourage you to press the “submit” button sooner rather than later!
It helps my productivity to be aware that there are different kinds of writing, and that my energy and concentration levels determine which kind of writing I can do most effectively. Creating new prose takes the most concentration for me, and I usually like to do this when I have a bit more time to reflect and process information. Line-editing, on the other hand, I can do even if I have just five minutes to look at a paragraph.
When you plan for your writing for the coming week, it might be helpful to look at your calendar and figure out what sorts of tasks you are best able to do each day. If you don’t teach on Monday, that might be the best day to draft a new section or to re-organize Chapter Two. On Tuesday morning, you might have fifteen minutes before preparing for class to check the bibliography for that almost-completed article.
For example, “Karla” recently told me that she was having trouble finding the time for writing over the past week. I found this unusual because the last time we talked, she was excited about her project and its long-term possibilities. After talking for a bit, it became clear that Karla was no longer at the stage of brainstorming and creating new ideas, but that she was now at the stage where she had to pull everything together and massage her outstanding work into a coherent, scholarly, whole. It turned out that not only did Karla find this kind of work less exciting, but also that getting near to the end of the project made her nervous about going public with her ideas.
There are different stages to the writing process, and we draw from different sorts of energies to complete each stage. Most of us excel at one stage, but do less well at others. It can be helpful to reflect on the various stages of writing and to become aware of which stages you like best. Here are the stages, as I see them:
Stage 1: Conception – This is when you are coming up with ideas and writing the first rough draft. The best way to get through this stage is to not be inhibited by perfectionism and not worry about grammar, coherency, or format, but to just get your ideas onto paper. When you are at this stage, it is best to do this first thing in the morning when your ideas are fresh and you are ready to forge ahead. Although this is the most exciting stage for many, it also is the stage when we are most unsure of where we are going, and thus can be subject to feelings of self-doubt about the worth of our work. If you are stuck at this stage, one strategy is to put a pillow-case over your computer screen and just type away for fifteen to thirty minutes. Not being able to see your writing will help you to feel less threatened by the blank screen and less inclined to go back and correct errors.
Stage 2: Pulling together – This is when you re-organize your free-writes, brainstorms, previous work, and literature summaries into a coherent first draft. Some people do this on the screen; others cut and paste using real scissors and paper. Whatever you do, it is important to think about how you think and organize best and develop a system that allows you to create a coherent first draft. At this stage, you might find yourself staring at documents on and off-screen and struggling to decide on the best format. Despair not: If you are working on this every day, those ideas are percolating in your head, and you soon will come up with a workable format. If you are feeling stuck, try printing out your documents and using a creative, visual format of re-organizing your ideas such as cutting and pasting pieces of colored paper onto a corkboard.
Stage 3: Revision – This is when you have a complete first draft and are ready to make it better. It can be very helpful to give this first draft to a trusted colleague, telling them that this is your first shot at the paper, and that you are looking for constructive feedback on organization and suggestions for expanding the background and theoretical literature. Some people do revisions by hand by printing out each version. Others are comfortable doing edits on screen. When I am in the revision stage, I like to carry a copy around with me, so that I can squeeze in edits whenever I have time. If you are stuck at this stage, the best solution can be to find someone to read and give you positive feedback to help you move forward.
Stage 4: Copy-editing and References – At this stage, you have a complete, revised draft with your conceptual framework, literature review data, analysis, introduction, and conclusion, all in order. You just need to dot the i’s, cross the t’s, check your citations and run your spell-check. If you are stuck at this stage, hiring a professional editor can be a fabulous investment.
Stage 5: Submit – You are finished, and just need to figure out the online or mail-in process to submit your work! If you are stuck at this stage, it could be helpful to talk to friends who have read your work, know how fabulous it is, and can encourage you to press the “submit” button sooner rather than later!
It helps my productivity to be aware that there are different kinds of writing, and that my energy and concentration levels determine which kind of writing I can do most effectively. Creating new prose takes the most concentration for me, and I usually like to do this when I have a bit more time to reflect and process information. Line-editing, on the other hand, I can do even if I have just five minutes to look at a paragraph.
When you plan for your writing for the coming week, it might be helpful to look at your calendar and figure out what sorts of tasks you are best able to do each day. If you don’t teach on Monday, that might be the best day to draft a new section or to re-organize Chapter Two. On Tuesday morning, you might have fifteen minutes before preparing for class to check the bibliography for that almost-completed article.
Wednesday, October 6, 2010
The Twelve Steps from Dissertation to Book
When I finished my dissertation, I knew I wanted to publish it as a book. I did not, however, have any idea how to publish a book. As I am now at the very end of this long process, I think it is important to outline the steps so that others can know how it works.
I will explain how this generally works. However, keep two things in mind: 1) there is a lot of variation beyond what I describe here and 2) this is generally the process for the first book, not necessarily for the second or third.
Step One: Write the Prospectus. Although it seems daunting, a book prospectus is not a complex document. It contains: 1) a summary of your book that outlines the main argument; 2) a one-paragraph summary of each chapter; 3) a timeline for completion of the book manuscript; 4) a brief description of the target audience and potential classes for course adoption; and 5) the competing literature. Usually these are short documents. Mine have ranged from four to seven single-spaced pages.
Step Two: Submit the Prospectus. Find publishers who might be interested in your book manuscript, and send them the prospectus. Often, they also will want one or two sample chapters. You can send your prospectus to as many publishers as you like. Most publishers list submission guidelines on their websites. These guidelines often indicate exactly what materials they would like to see: usually a prospectus, one or two sample chapters, and a two page CV.
Step Three: Submit the Manuscript. When acquisitions editors receive your prospectus, they make a decision as to whether or not they would like to send your book manuscript out for review. If they do not, they will send you a letter with their regrets. However, if they are interested, they often will call or email you with a request to see more materials. Some presses want to wait for the whole book manuscript to be completed. Others will send out just the prospectus for review. Others will send out 1-4 finished chapters. That depends on the book and the press. They will let you know.
Step Four: The Press Sends Your Manuscript out for Review. You wait between one and twelve months for the reviews to come back. If just the prospectus is under review, this will not take very long. If it is the whole manuscript, usually you will wait several months.
Step Five: You Get a Contract. The press makes a decision based on the reviews. They can decide to a) offer a contract based on the reviews; b) ask you to do more revisions and send it out for review again or c) decline to offer a contract based on the reviews. If it is c), you go back to Step Two.
Step Six: You Sign a Contract. If the reviews are favorable, the press will offer you a contract, which you first negotiate and then sign. Here are some items often up for negotiation: 1) who will pay for the index; 2) who pays for the cover and inside pictures; 3) who pays for the copy-editing; 4) the royalties rate; and 5) when and whether the book will be released in paperback.
Step Seven: You Revise the Manuscript. You revise the manuscript based on the reviews. Some presses will send it out for review again once you revise it. Others will review it internally and ask you to make further revisions. Still others will send it as is to the copy-editor after you make your revisions.
Step Eight: Copy-Editing. Once the book manuscript is revised, it goes to the copy-editor and they proofread the text. This usually takes 1 to 3 months.
Step Nine: Revision. You revise it again, based on the suggestions made by the copy-editor. You then send it back to the copy-editor who sends it to the press after your final approval. You usually have one month to respond to the copy edits.
Step Ten: Page Proofs. Your book is put into page proofs that you get to read and revise again. At this stage, however, you can only make very minor changes. You correct any mistakes and then it goes to the printer.
Step Eleven: In Press. Your book gets printed. This usually takes a couple of months.
Step Twelve: On the Shelf. Your book is available for sale!
As made clear in these twelve steps, publishing an academic book is often a very long process. It is important to keep in mind that it can take years to publish a book, even after you have completed the manuscript. For example, I completed the manuscript for my first book in May 2009 and sent it to a publisher who had agreed to review it. I received the reviews in November 2009, and the publisher offered me a contract on the basis of the reviewers’ evaluations. I signed the contract and then revised the book according to the suggested revisions and returned it to the publisher in March 2010. In June 2010, I received and reviewed the copy-edits. In October 2010, I received and reviewed the page proofs. The book will be out in February 2011 – nearly two years after I had originally “finished” the book manuscript! Keeping this timetable in mind is particularly important if your university prefers you to have a bound book when you go up for tenure.
I will explain how this generally works. However, keep two things in mind: 1) there is a lot of variation beyond what I describe here and 2) this is generally the process for the first book, not necessarily for the second or third.
Step One: Write the Prospectus. Although it seems daunting, a book prospectus is not a complex document. It contains: 1) a summary of your book that outlines the main argument; 2) a one-paragraph summary of each chapter; 3) a timeline for completion of the book manuscript; 4) a brief description of the target audience and potential classes for course adoption; and 5) the competing literature. Usually these are short documents. Mine have ranged from four to seven single-spaced pages.
Step Two: Submit the Prospectus. Find publishers who might be interested in your book manuscript, and send them the prospectus. Often, they also will want one or two sample chapters. You can send your prospectus to as many publishers as you like. Most publishers list submission guidelines on their websites. These guidelines often indicate exactly what materials they would like to see: usually a prospectus, one or two sample chapters, and a two page CV.
Step Three: Submit the Manuscript. When acquisitions editors receive your prospectus, they make a decision as to whether or not they would like to send your book manuscript out for review. If they do not, they will send you a letter with their regrets. However, if they are interested, they often will call or email you with a request to see more materials. Some presses want to wait for the whole book manuscript to be completed. Others will send out just the prospectus for review. Others will send out 1-4 finished chapters. That depends on the book and the press. They will let you know.
Step Four: The Press Sends Your Manuscript out for Review. You wait between one and twelve months for the reviews to come back. If just the prospectus is under review, this will not take very long. If it is the whole manuscript, usually you will wait several months.
Step Five: You Get a Contract. The press makes a decision based on the reviews. They can decide to a) offer a contract based on the reviews; b) ask you to do more revisions and send it out for review again or c) decline to offer a contract based on the reviews. If it is c), you go back to Step Two.
Step Six: You Sign a Contract. If the reviews are favorable, the press will offer you a contract, which you first negotiate and then sign. Here are some items often up for negotiation: 1) who will pay for the index; 2) who pays for the cover and inside pictures; 3) who pays for the copy-editing; 4) the royalties rate; and 5) when and whether the book will be released in paperback.
Step Seven: You Revise the Manuscript. You revise the manuscript based on the reviews. Some presses will send it out for review again once you revise it. Others will review it internally and ask you to make further revisions. Still others will send it as is to the copy-editor after you make your revisions.
Step Eight: Copy-Editing. Once the book manuscript is revised, it goes to the copy-editor and they proofread the text. This usually takes 1 to 3 months.
Step Nine: Revision. You revise it again, based on the suggestions made by the copy-editor. You then send it back to the copy-editor who sends it to the press after your final approval. You usually have one month to respond to the copy edits.
Step Ten: Page Proofs. Your book is put into page proofs that you get to read and revise again. At this stage, however, you can only make very minor changes. You correct any mistakes and then it goes to the printer.
Step Eleven: In Press. Your book gets printed. This usually takes a couple of months.
Step Twelve: On the Shelf. Your book is available for sale!
As made clear in these twelve steps, publishing an academic book is often a very long process. It is important to keep in mind that it can take years to publish a book, even after you have completed the manuscript. For example, I completed the manuscript for my first book in May 2009 and sent it to a publisher who had agreed to review it. I received the reviews in November 2009, and the publisher offered me a contract on the basis of the reviewers’ evaluations. I signed the contract and then revised the book according to the suggested revisions and returned it to the publisher in March 2010. In June 2010, I received and reviewed the copy-edits. In October 2010, I received and reviewed the page proofs. The book will be out in February 2011 – nearly two years after I had originally “finished” the book manuscript! Keeping this timetable in mind is particularly important if your university prefers you to have a bound book when you go up for tenure.
Friday, October 1, 2010
Six Steps to Writing a Literature Review
In their book, Destination Dissertation: A Traveler's Guide to a Done Dissertation
, Sonja Foss and William Walters have a chapter that describes a highly efficient way of writing a literature review. I think it provides an excellent guide for getting through the massive amounts of literature in any field.
Step One: Define the area you will be studying. Before you begin to search for articles or books, decide beforehand what areas you are going to research. Make sure that you only get articles and books in that area, even if you come across fascinating books in other areas.
Step Two: Gather the literature. Conduct a comprehensive bibliographic search of books and articles in your area. Read the abstracts online and download and print those articles that pertain to your area of research. Find books in the library that are relevant and check them out.
Step Three: Find relevant excerpts. Skim the contents of each book and article and look for these five things:
1) Claims, conclusions, and findings about the constructs you are investigating
2) Definitions of terms
3) Calls for follow-up studies relevant to your project
4) Gaps you notice in the literature
5) Disagreement about the constructs you are investigating
When you find any of these five things, type the relevant excerpt directly into a Word document. Don’t summarize, as that takes longer than just typing the excerpt. Make sure to note the name of the author and the page number following the passage. Do this for each article and book that you have in your stack of literature. When you are done, print out the document.
Step Four: Code the literature. Get out a pair of scissors and cut each note apart. Now, sort the pieces of paper into similar topics. Figure out what the main themes are and place the notes each into a pile. Make sure that each note goes into a pile. If there are excerpts that you can’t figure out where they belong, separate those and go over them again at the end to see if you need new categories. When you finish, place each stack of notes into an envelope labeled with the name of the theme.
Step Five: Create your conceptual schema. Go to your computer and type, in large font, the name of each of your coded themes. Print this out, and cut the themes into individual slips of paper. Take the slips of paper to a table or large workspace and figure out the best way to organize them. Are there ideas that go together or that are in dialogue with each other? Are there ideas that contradict each other? Move around the slips of paper until you come up with a way of organizing the codes that makes sense. Write the conceptual schema down before you forget or someone cleans up your slips of paper!
Step Six: Write it up. Choose any section of your conceptual schema to begin with. You can begin anywhere, because you already know the order. Find the envelope with the excerpts in them and lay them on the table in front of you. Figure out a mini-conceptual schema based on that theme by grouping together those excerpts that say the same thing. Use that mini-conceptual schema to write up your literature review based on the excerpts that you have in front of you. Don’t forget to include the citations as you write, so as not to lose track of who said what. Repeat this for each section of your literature review.
Once you complete these six steps, you will have a complete draft of your literature review. The great thing about this process is that it breaks down into manageable steps something that seems enormous: writing a literature review.
I think that Foss and Walter’s system for writing the literature review really can work for a dissertation, because a Ph.D. candidate has already read widely in his or her field through graduate seminars and comprehensive exams.
It may be more challenging for M.A. students, unless you are already familiar with the literature. It is always hard to figure out how much you need to read for deep meaning, and how much you just need to know what others have said. That balance will depend on how much you already know.
For faculty writing literature reviews for articles, this system also could work, especially when you are writing in a field you are already familiar with. The mere fact of having a system can make the literature review seem much less daunting, so I recommend this system for anyone who feels overwhelmed by the prospect of writing a literature review.
, Sonja Foss and William Walters have a chapter that describes a highly efficient way of writing a literature review. I think it provides an excellent guide for getting through the massive amounts of literature in any field. Step One: Define the area you will be studying. Before you begin to search for articles or books, decide beforehand what areas you are going to research. Make sure that you only get articles and books in that area, even if you come across fascinating books in other areas.
Step Two: Gather the literature. Conduct a comprehensive bibliographic search of books and articles in your area. Read the abstracts online and download and print those articles that pertain to your area of research. Find books in the library that are relevant and check them out.
Step Three: Find relevant excerpts. Skim the contents of each book and article and look for these five things:
1) Claims, conclusions, and findings about the constructs you are investigating
2) Definitions of terms
3) Calls for follow-up studies relevant to your project
4) Gaps you notice in the literature
5) Disagreement about the constructs you are investigating
When you find any of these five things, type the relevant excerpt directly into a Word document. Don’t summarize, as that takes longer than just typing the excerpt. Make sure to note the name of the author and the page number following the passage. Do this for each article and book that you have in your stack of literature. When you are done, print out the document.
Step Four: Code the literature. Get out a pair of scissors and cut each note apart. Now, sort the pieces of paper into similar topics. Figure out what the main themes are and place the notes each into a pile. Make sure that each note goes into a pile. If there are excerpts that you can’t figure out where they belong, separate those and go over them again at the end to see if you need new categories. When you finish, place each stack of notes into an envelope labeled with the name of the theme.
Step Five: Create your conceptual schema. Go to your computer and type, in large font, the name of each of your coded themes. Print this out, and cut the themes into individual slips of paper. Take the slips of paper to a table or large workspace and figure out the best way to organize them. Are there ideas that go together or that are in dialogue with each other? Are there ideas that contradict each other? Move around the slips of paper until you come up with a way of organizing the codes that makes sense. Write the conceptual schema down before you forget or someone cleans up your slips of paper!
Step Six: Write it up. Choose any section of your conceptual schema to begin with. You can begin anywhere, because you already know the order. Find the envelope with the excerpts in them and lay them on the table in front of you. Figure out a mini-conceptual schema based on that theme by grouping together those excerpts that say the same thing. Use that mini-conceptual schema to write up your literature review based on the excerpts that you have in front of you. Don’t forget to include the citations as you write, so as not to lose track of who said what. Repeat this for each section of your literature review.
Once you complete these six steps, you will have a complete draft of your literature review. The great thing about this process is that it breaks down into manageable steps something that seems enormous: writing a literature review.
I think that Foss and Walter’s system for writing the literature review really can work for a dissertation, because a Ph.D. candidate has already read widely in his or her field through graduate seminars and comprehensive exams.
It may be more challenging for M.A. students, unless you are already familiar with the literature. It is always hard to figure out how much you need to read for deep meaning, and how much you just need to know what others have said. That balance will depend on how much you already know.
For faculty writing literature reviews for articles, this system also could work, especially when you are writing in a field you are already familiar with. The mere fact of having a system can make the literature review seem much less daunting, so I recommend this system for anyone who feels overwhelmed by the prospect of writing a literature review.
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